No matter how maudlin, humdrum or disappointing a drama may turn out to be, people would often walk away from them remembering a specific thing that either struck their fancy or something that came off as somewhat odd or irritating. It might be a touching scene, a memorable line, an outrageous outfit or a striking motif; a person might eventually forget about the structure of the story or struggle to remember every detail of how things unfolded in the course of the series, but he will never forget something that captured his heart, more so, if that something rankled his nerves and even made him regret investing so much time on a drama that failed to deliver the goods contrary to expectations. Dramas viewed five or eight years ago might seem like a distant memory but key scenes and images do linger on. They remain vivid and strong, as do the emotions they invoked upon one's encounter of a memorable episode.
Who here can forget the quiet longing of Commander Hwangbo for his lowly servant, Chae-Ok in Damo? Or that kissing scene between Lee Byung Hun and Choi Ji Woo in Beautiful Days that signaled an OTP change? Who could forget Rain's colorful array of v-neck shirts that scandalously dipped down his chest in Full House? Or how some of the set pieces in Jumong shook every time a stuntman took a tumble, or how a whole army could be concealed behind sparse foliage without being discovered?
Who here can forget the quiet longing of Commander Hwangbo for his lowly servant, Chae-Ok in Damo? Or that kissing scene between Lee Byung Hun and Choi Ji Woo in Beautiful Days that signaled an OTP change? Who could forget Rain's colorful array of v-neck shirts that scandalously dipped down his chest in Full House? Or how some of the set pieces in Jumong shook every time a stuntman took a tumble, or how a whole army could be concealed behind sparse foliage without being discovered?
Love 'em or hate 'em, kdramas do have a way of leaving behind pretty pictures and sickening music tracks that go on and on in your head. No matter what the outcome, they leave quite an impression, so I decided that instead of dwelling on the long, exasperating and technically uneven journey that was A Star's Lover, I'd rather focus on the parts of this series that piqued my interest and celebrate the creative touches that I would [or rather should] remember in years to come.
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When A Star's Lover came out in 2009, a part of me was curious to see it because it featured two actors you rarely see on television and yet a part of me was also apprehensive upon learning that the drama itself would be another adaptation of Notting Hill. Having seen Star no Koi a few years ago, I already could imagine how difficult it would be to stretch the material culled from a 2-hour movie to a full length series, and while true enough that the Japanese version was not without its own charm, the story staggered towards the finish line mid-season. I[t] barely made it.
So imagine my surprise when I learned that the Korean re-imagining would span 20 episodes instead of the usual 16 and that it would have the reigning queen of hallyu dramas in the pivotal role... well, let me tell you, it didn't look very promising.
Not quite ready to miss out on Yoo Ji-Tae's return to television, I checked to see the writer in charge of the said series and found out that it was Oh Soo Yun, who's best known for Autumn in My Heart and Winter Sonata. Right then and there, I knew that A Star's Lover was a bad bet. Known for producing overly sentimental dramas dipped in angst and despair, this writer owed much of her success [abroad] to the gravitational pull of the stars featured in her works and her ability to engage audiences with simple, heartfelt scenarios. And though not the best when it comes to developing a story (anyone who's seen an Oh Soo Yun drama knows that the conflict in them often defy logic and are dragged on till kingdom come)---she can be credited for drumming in memorable sequences by craftily setting up scenes accentuated by a central theme, a design, even a product placement.
So imagine my surprise when I learned that the Korean re-imagining would span 20 episodes instead of the usual 16 and that it would have the reigning queen of hallyu dramas in the pivotal role... well, let me tell you, it didn't look very promising.
Not quite ready to miss out on Yoo Ji-Tae's return to television, I checked to see the writer in charge of the said series and found out that it was Oh Soo Yun, who's best known for Autumn in My Heart and Winter Sonata. Right then and there, I knew that A Star's Lover was a bad bet. Known for producing overly sentimental dramas dipped in angst and despair, this writer owed much of her success [abroad] to the gravitational pull of the stars featured in her works and her ability to engage audiences with simple, heartfelt scenarios. And though not the best when it comes to developing a story (anyone who's seen an Oh Soo Yun drama knows that the conflict in them often defy logic and are dragged on till kingdom come)---she can be credited for drumming in memorable sequences by craftily setting up scenes accentuated by a central theme, a design, even a product placement.
A boy who became a clump of weed and a girl who became a star in the heavens. Two persons, living at two ends of the world. Will they have the opportunity to be able to recognize each other?
So disregarding the agony that her "Season Dramas" brought me and keeping in mind fond memories of little Joon-suh and Eun-suh riding their bikes in the country, along with that scene wherein an overaged Bae Yong Joon tried to pass himself off as a high school student, playing First Time to Choi Ji Woo in an empty classroom, I checked out A Star's Lover thinking I'd at least have 3 to 6 decent episodes to work with before the whole thing proceeded to torture its viewer (i.e. me) with recurring issues that would eventually be resolved through the simplest of means. As it turned out I wasn't far off the mark, seeing that all they needed to wrap up the story was to declare their love to each other before the paparazzi and they chose to accomplish this towards the end, around the 19th episode tsk tsk.
Thinking back, the series started out quite nicely. I've never seen Choi Ji Woo quite as luminous or Yoo Ji Tae so attractive. Heck, this was the first series wherein Choi Ji Woo actually looked confident and comfortable in her own skin, and perhaps the only series where she had leading men who towered above her and made her look more feminine. The scenes shot in Asuka, Japan were beautiful to say the least and it was obvious that attention was placed into making each encounter between regular joe Chul Soo and superstar Mari extra special to complement the fairytale finish. There was an undeniable chemistry between the leads, a sense of familiarity and comfort that would make you root for this OTP. It's quite unfortunate though that they tried to stretch and complicate such a simple story. The fluffy, dreamy appeal of this series soon disappeared as the whole business on ghostwriting kicked in and auxiliary characters figured their way into the story. Indeed, it was quite a journey. I would not have been able to make it through without my remote in hand.
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And though I was wont to let this series go, without breathing so much as a word, I also felt it necessary to commemorate the fact that I finished watching it after stalling for two years.
Seeing that I have the tendency to remember stupid, frivolous things about kdramas like how Hyun Bin was sweating through his pink shirt at the last episode of My Name is Kim Sam Soon or how Jo Hyun Jae had a small band-aid stuck under his eye for the majority of One Mom and Three Dads, I figured, why not make a list of things that I would remember about A Star's Lover instead of straight out ranting about the disconsolate route it took to see its ending? I mean, people out there would probably do a better job at writing a review or discussing the finer points of this series, so why not revel in the bits and pieces that made me go "ooh", "ahh" and "grrrr"?
Seeing that I have the tendency to remember stupid, frivolous things about kdramas like how Hyun Bin was sweating through his pink shirt at the last episode of My Name is Kim Sam Soon or how Jo Hyun Jae had a small band-aid stuck under his eye for the majority of One Mom and Three Dads, I figured, why not make a list of things that I would remember about A Star's Lover instead of straight out ranting about the disconsolate route it took to see its ending? I mean, people out there would probably do a better job at writing a review or discussing the finer points of this series, so why not revel in the bits and pieces that made me go "ooh", "ahh" and "grrrr"?
So here are 6 things that stuck out for me in this series:
1.) Chul Soo and Young Hee
Given its plot, I didn't expect A Star's Lover to begin the way it did. The series, in fact, opened with a vignette; a thoughtful commentary on how love was the most common and yet the greatest of all sentiments, and how the ever changing world made the notion of loving someone more complex as society progressed. Deriving inspiration from the movie Amélie and the defunct American series Pushing Daisies, the kdrama was able to establish a dreamlike atmosphere, albeit without the same touch of whimsy, in telling the backstory of Chul Soo and Young Hee.
The overall concept was to make the series out into an urban fairytale, unfortunately, the narration and visual styling of the first few episodes did not make its way to the end of the series. It got watered down and subsumed into the existential drama that devoured the characters that by the time I reached the last episode, I almost forgot about its unique opening sequence.
The overall concept was to make the series out into an urban fairytale, unfortunately, the narration and visual styling of the first few episodes did not make its way to the end of the series. It got watered down and subsumed into the existential drama that devoured the characters that by the time I reached the last episode, I almost forgot about its unique opening sequence.
2.) Learning to Cross that Line
Young Chul Soo, being the ever obedient son, did not dare cross that line that his mother drew on the ground. With tears in his eyes and a crumpled bill in his hand, he failed to chase after his mother because that line created an invisible barrier, one that no human being could cross...until the gorgeous Lee Mari, in her pretty black boots, stomped her way through and taught him how easy it was. So yeah, I reckon it was used to show how Chul Soo was a straight-laced individual and how he was the type to color within the lines, but the very idea of him drawing a line on the ground to prevent both Mari and Eun Young from getting close to him was just a load of crap.
3.) The Color of Sadness
If one were to go by this series, the color of sadness and longing would be a mix of sepia, auburn, sienna, and burnt amber with touches of indian yellow, set against a murky shade of cadmium red and vermilion. Yes, old memories came with a color scheme. No one's allowed to look into the past without a change of color.
4.) A Room Full of Books
Chul Soo must have been one lonely boy. There were books everywhere---they were on the shelves, on the floor, they lined his walls. Was there ever any reason to doubt how literate and well-read our humble hero was?
5.) Vanilla Ice Cream
Ah, the Yonsama look-alike that disappeared after going out to get vanilla ice cream...Who would have thought that a frozen dairy product could cause so much pain and torment? (Hm, serves her right for sending her lover out in the dead of winter for vanilla ice cream.) Believe it or not, this little story device had a very brief appearance. Aside from being mentioned like 4x, Mari's fixation with it melted when Chul Soo came around. It served its purpose the moment the man Mari was fated to be with appeared before her, carrying 32 flavors and then some.
6.) Pride and Prejudice
So Chul Soo reluctantly travels to Japan to ghostwrite Lee Mari's travel diary and what book does he bring with him? He brings the tv-movie tie-in paperback edition of Pride and Prejudice. Yep, the one with Keira Knightley's face on it. Ach, the horror! Major fantasy overload! Can anyone say overkill?
He was charming enough as the literature professor who thwarted his student's advances by correcting/editing the love letter given to him as if it were a test paper, but was it really necessary to depict him as someone engrossed in Jane Austen? And in public no less. I don't freakin care about what people say about the character being sensitive or romantic but (darn it!) grown men do not lug around Pride and Prejudice. He has a room full of books to choose from and he picks Pride and Prejudice?
So okay, maybe he was reading it in preparation for a class or something but considering the series went on and on about how cultured and well read he was, dropping random book titles from The Great Gatsby to Eugene Onegin, would it really have been too much to ask for him to read something safe and appropriate by say, Hemingway or Dostoevsky?
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